She likes to shower with the door open. She steps out of the bathroom,
into her room and walks a slow circle, the graying vertical
blinds straining to keep out the golden light of early evening and late
spring. She didn’t wash her hair and she feels like it hangs better this
way, a little tangled from last night. She walks back to the bathroom
mirror and gets bored after applying a little concealer, thinking about
girls with thick layers of eye shadow like cake fondant, and decides to
pack a quick bowl. As she takes the first hit, she clicks the play button
on her cd player with her toe. She sings one of the last songs on this
album out loud; the words “you wanted a hit, [pause] well, this is how
we do hits” come out with smoke as she walks back to the mirror.
“Why do I even fucken do this?” she asks herself, pulling a mascara
wand through her lashes. She thinks about a possible title to a
poem: Mascara Is Best Applied Sober. She decides it’s a bad title, grabs
a safety pin lying on the corner of the sink, and starts to separate her
lashes. Almost as an afterthought, she grabs some black eyeliner and
smudges it along her lash line with her pinky. She thinks it makes her
look a little tired. She takes another hit, this time in front of the mirror,
watching herself pull in her cheeks, and blows smoke straight into
her reflection, thinking what she’s been thinking lately.
“Who you tryin to be?” he says, looking me up and down, from my crisp
white tank top and visible black bra straps, down to my ankles chocked in
black skinny jeans, as I slide in a pair of my favorite big silver hoop earrings
“Sad Girl? Lil Puppet? Fresno Loca?”
“Whatever Lil Puppet is a boy name, I think And who are you trying
to be, the Mexican Carlton Banks?” I respond, pulling on his slim baby
blue argyle sweater until I can almost feel the thick knit of his sweater
through the thin fabric of my wifebeater and his lips move toward mine.
Her cell phone rings and she scoops up her keys and black sandals,
trying to ignore the hoops sitting quietly on her vanity, stuffs a few
dollars in her pocket, unplugs the cd player and heads out the door as
she answers her phone, “I’m on my way out.”
Isaac’s car is parked out in the street, engine rumbling softly, and
she drops down into the passenger seat. “Hey, yo.”
“‘Sup, chick?”
He pulls off from the curb while she stretches the seatbelt across her
chest, not liking how it feels between her breasts.
“Who’s all gonna be there?” she asks, tossing her shoes down and
leaning forward to slide her feet in them and buckle the ankle strap on
her sandals.
“The usual suspects, some hipsters, of course, couple homeless dudes
and their dogs…idk, man, you know how it is, whoever.”
“Whoever,” she repeats, tossing the word around the cavity of her
skull. “Cool.”
After a few blocks they hit a red light and Isaac turns his limited
edition Ray Bans on her.
“Where you been at?”
“Hibernation,” she says to her own reflection in his shades. She
thinks she looks too small, smaller than she usually feels, sitting cradled
in the car seat.
“You shoulda brought shades, your eyes are mad bloodshot. Stoner.”
Green light and he turns his twin mirrors back on the road in front of
him.
“I got eye drops,” she grumbles, reaching into her pocket.
“I gotta meet the guys at The Cafe. I’ll drop you off at The Studio.”
“Cool,” she says.
“What happened with whoever it is that you disappeared off the
face of the earth for this winter? And I’m pretty sure I know who it is.”
“I.D.K.” she blurts out, not in the mood to hear his name. She
doesn’t try to contest his dramatic statement. “We used to see each
other everyday.”
“For real?”
“Every day.” She nodded her head and nodded her head. “Almost
every day. Practically.”
“For how long?”
“Four months.”
His voice goes up an octave. “Four months?”
She nods. Shrugs.
“There were some rumors going around…” his voice stops in the air
in front of his face.
“But no one knew. Not really. Neither one of us ever said anything.
If anything, we straight up denied it.”
He’s quiet as he switches lanes. He turns left onto a street with sidewalks cracked by thick elm tree roots. Pulling up next to the curb, he
says, “You know he’ll be here.”
“Not for sure.” Her shoulders twitch and she touches the door handle,
clicks off her seat belt, and taps each foot on the clear plastic floor
mat once.
“So, what is this, your triumphant return?”
“Possibly.” She runs her finger across the smooth, rounded edge of
her cell phone.
“Dude, just come with us to The Cafe. He won’t be there tonight.”
“OMG. It ain’t like…you know…a big deal,” she says, prodding his
side and laughing.
“Alright,” he nods his chin once, reaching over and grabbing a fistful
of her hair and tugging lightly. “You gonna Bob Marley my car
before I say peace out?”
“You know it,” she says, finally smiling big and honest.
After they’ve passed his pipe back and forth a few times, she
jumps out of his car and waves goodbye as he pulls back from the
curb. Walking past a few front yards with sun-faded toys, she imagines
picking up the was-bright orange Dora the Explorer kid’s jeep and
watching eyeless bugs drip from its tires, wriggling in confusion in the
dying light. As she turns the corner, she looks down at her hands. They
have turned a faint electric blue from the light of the sign above the
liquor store across the street. The long shadows are gone now and night
has fallen across Fresno Street.
She can feel the pulse behind her eyes as she walks into a familiar
front yard that sits in front of a tall, crooked house with windows
of all different sizes, some dark, some lit up in yellow, red, green, and
blue light. She walks straight into a crew of what looks like eighteen
year olds out on the front steps. They, all skinny boys in tight jeans
and paper-thin V-necks, move out from under her blank stare, push up
against each other to let her through and she never hesitates a step.
She reaches forward to pull open the front door. As her hand grips
the door knob, it feels warm and as she pushes the door in, it feels
heavier than usual.
The hair on her arm stands up like she’s looking over a too tall
building, right over the edge, and gravity is pulling her down. At first
she’s facing a red wall and the door frame is no longer a door frame
but a rectangular hole in the floor and her eyeballs lean forward in her
sockets and the skin of her cheeks is pulling away from the bones in
her face and her right foot moves forward on its own and, like a roller
coaster drop, she’s sucked into this breathing red wall that breaks
into sharp, jagged pieces of noise noise noise, red light, moving bodies,
the skin of drums roaring their throats raw. Her eyes jump to the
hands reaching towards her. She looks up beyond the hands, up to the
extended arms, across the open laughing mouths, some look familiar
and she lets herself be pulled in, her hips already joining other hips in
drum slap smooth movements. Beyond the moving bodies are drums
in an outer circle and it is only boys with drums between their legs,
big and small drums, somewhere a flute, a shakin’ tambourine, a stick
being struck and scraped across the open, gleaming white jaw bone of
a long-gone donkey. She sees only girl hip movements and the eyes of
the outside circle sucking it all in. The noise is slowing down and the
girls fall against each other, against her, in giggles that sound as loud
as the breathing walls. Her eyes are on the open mouth smiles and she
opens her mouth and smiles back, mimics their noises. The banging
starts again, rolling closer like thunder and she keeps smiling smiling
and meets eyes that are red at the corners and shies away from hands
reaching for her waist. Pushing past bodies, more bodies and a familiar
face floats up to hers.
“Some air,” she manages to blurt out like they are the only two
words she knows.
The familiar face has a hand that grabs at her shoulder and a shot of
panic hits her in the chest and exists through her back. She turns her
shoulder out the hand’s grip and hurries around two girls with identically
complicated-looking haircuts and matching bad postures that
evil-eye her pale, sweaty face.
She bounces up stairs that are set against the back of the living
room and walks through a small room painted green with a giant
glassless window through which a single lemon tree branch reaches
inside. She takes a deep calming breath as a gust of wind pushes her
through to the next room that she has to edge into, her back and
palms flat against the wall, feeling underneath her fingertips the old
band posters, newspaper clippings with pictures of the ninth ward
after the hurricane; the first plane lodged in the first tower; a child
with a mouth twisted into a black hole of pain, running from her own
burning clothes; the big brush strokes of cheap black paint slapped
across it all. She can feel chunks of paint missing as she watches blackclothed
limbs flail about, moshers pushing up against each other,
pushing back, jumping up, lurching toward a three-piece band in the
corner. She can’t see the band from the wall and the music sounds like
waves crashing against obsidian stones and cymbals smash and a pitiful
yell escapes from the seething pit.
She feels someone grab her left wrist firmly, gently pulling her forward
into a group of tall boys, all with long limp hair under Fidel
Castro black caps.
“Where’s your drink, lady?” He has greedy-for-trouble black elf eyes
and the easiest grin she’s ever seen, seeming to run all the way down
his long, lanky frame.
She shakes her head, holding up her empty hands and leaning
closer to him. He holds the mouth of a beer bottle right up to her lips
and she grabs the bottle neck, swings the bottom up to his devilish
eyes. Hands with long, black nails filed to sharp points pull the bottle
back and some suds dribble down her chin. As she wipes them off, she
smiles sickly-sweet at the girl she hadn’t noticed standing next to him.
The girl doesn’t smile back.
“They call me The Intoxicator,” his voice is so clear above the noise
that she feels like his lips are right up next to her ear. The girl hands
the bottle back. After Neli takes another long drink, she looks down
at the glass bottle and notices it has no label. She tries and fails to
remember what its insides tasted like. She looks at him with the question
in her eyes.
“You have a good night,” he says in a voice that sounds like he’s saying
“run along now, sweetie”, grinning wickedly with his entire body.
She likes his voice and the sarcastic smile in his eyes and she hesitates
to step away but the eyes of the girl, winged in inch-thick black eyeliner,
push her into the next room.
In this other room thick candles drip in carved wooden candlesticks
and bodies lay on lush Persian rugs. The bodies slurp up heaps
of steaming pad thai noodles on porcelain dinner plates and she hears
the sound of running river water but she can’t find the source. A hand
reaches out and she falls into a lap. She turns to see Luis’s Buddha
smile and she crawls onto the empty overstuffed pillow next to him,
sinking into the glass of blood-red wine that comes floating up to her.
A smattering of applause has just ended and Luis leans towards her.
“You know you’re up next, right? That’s what you get for falling off
the face of the earth,” he whispers. She rolls her eyes at him, stands up
and, with a strong voice recites to the golden walls:
He Freestyles
I’m glued to the floor
Like a mouth to a neck
Trying to empty my mind
Of his mic check mic check.
There is some clapping and grunts of approval around mouthfuls
of pad thai.
She stays to hear a few more poets before feeling the rugs float a
few inches off the floor. It makes her dizzy and she climbs off and
walks through another door.
“The kitchen?” She’s so surprised to step into the yellow room that
she says it out loud. The white cabinets, the bland beige linoleum, the
pink-flowered hand towels hanging from the oven door handle, all
calm.
“Yes, the kitchen!” a voice answers.
To her right stands Maggie, a big yellow mixing bowl cradled in her
left arm, her right arm stirring a thick pink paste furiously.
“Hi Magpie,” she says, standing on her tiptoes to plant her lips on
Maggie’s cheek. She looks around Maggie and waves to everyone sitting
at the big white table. Everyone sits on a different pastel colored
chair with a different pastel colored bowl in front of them.
“Been gone so long you don’t remember that this room is called a
kitchen?” she asks, shaking out her long blonde hair.
“Baking party?”
“Baking party,” everyone choruses back. Something wooshes past
her face and lands SPLAT on the window on the far wall. She turns to
see a thick chocolate paste sliding down the glass.
“Hey, you almost hit me with that!” she accuses Josh with her finger
and everyone laughs and keeps mixing.
“Next time,” Josh assures her, pointing back at her with a big, white,
chocolate-dripping spoon.
She walks towards the paste and sticks a finger in it.
“Mmm,” she says to herself as she licks off the paste. The thick chocolate
is a little grainy. A timer dings behind her and she turns around
and watches Maggie open the oven and, with two of the pink-flowered
towels she pulls out a tray of chocolate cupcakes.
“Mmm,” she says out loud.
“They’re too hot,” Maggie says. “Have one of these.”
She grabs a pink-frosted cupcake from the tray that was already laying
on the counter, next to an ounce of herb ready to be cooked into
cannabutter. Wrapped around it is a pink ribbon with tiny words at
the end. She holds it up close to her face and sees that someone has
used a typewriter to stamp on the words “eat me” in black ink.
“You got it,” she whispers to the cupcake and takes the biggest bite
she can.
“What?” Maggie asks.
“Nufin,” she tries to say, spitting out a few crumbs. “Sowy,” she tries
to say, spitting out a few more crumbs.
“Never mind,” Maggie says, looking grossed-out.
She chews the half of the cupcake and it tastes like chocolate and
raspberry sherbet and something green.
“Theese-r-gooood,” she says without spitting anything out.
“We’re pros just in case you’ve forgotten,” Josh says from the table.
She stuffs the rest in her mouth and turns to grab another cupcake
but Maggie catches her.
“No way, Jose. You shouldn’t have eaten that one so fast. They’re
really strong.”
“Alright,” she says, wanting to pout.
Everyone at the table keeps mixing and they start talking about the
oil spill in the Gulf of Mexico. She waits a split second as she makes
sure everyone’s hands are busy in their different colored bowls and,
like lightning, her arm reaches out in a flash and grabs a cupcake and
walks out the door.
“Thanks so much,” she calls over her shoulder.
She turns down a narrow white hallway lined with portraits. Evan
told her once that all of those people in black and white were found at
yard sales and second-hand stores. Like adopted family, he said. She
wondered what it must be like to sit in a stranger’s hallway in your best
clothes, neatly set hair, pearls, bow ties, stiff smile, sharp chin, warm
eyes, baby bonnet, being stared at by other strangers. The hall ends
too quickly. She pushes open the door and finds herself back in the
front room of the house. There is no air in this room and it smells like
bodies sweating out alcohol and too much perfume and pheromones
and hormones and suspect weed and so much Want that it drenches
her skin in a fine mist. It’s too strong for her stomach to handle and
she knows she’s gotta get out. Eyes and toxic blue cell phone lights
swim out of the darkness. She’s hit with cold, dead looks from hipster
chicks and their boyfriends in Urban-Outfitter-decided outfits as
they upswing 32oz. bottles of Miller High Life. Her eyes go black with
every blink and hands that were up are now down, face expressions
change too quickly and she feels like she’s ten seconds behind. At this
time of the night there is no more feigning politeness as bodies move
around each other fluidly, as hands gently move her around, one on
her shoulder, at her waist, high up on the middle of her back. There
is the door, the door, finally. Down steps. She walks forward without
much thought to where her feet are moving, she feels herself grow
taller, her head has more space outside to fill up the sky. There are
pointy black lace-up boots, wingtips, Hush Puppies, standing in green
grass that she pushes aside and releases. Tastes like a pizza and orange
juice smoothie. She feels their eyes, looks up, shrugs her shoulder,
kicking dirt over her vomit. They join her and laugh. Someone passes
a blunt and she inhales gratefully. The house behind her feels like a
breathing person, huffing and puffing and creaking jealousy. So much
so that it feels like the windows are watching them pass the Swisher
back and forth like angry eyes.
“You boys keep it real,” she tells them.
They laugh, someone squeezes her arm in reassurance and the doorknob
is so small and the door is so much taller than she is. It opens
and in she goes.
Somehow, she finds the line for the bathroom and somehow, she’s
in front of the sink, cupping water in her palms, swishing it around in
her mouth, spit, repeat, spit, repeat. Opens cabinet below sink, “where
where where…?” she asks the plumbing and finds the bottle, pour
some in the top and swirls it around her mouth, feels good, likes the
almost-clean burn of peppermint mouthwash, spits and smiles at herself,
big. Gets up close to the mirror, her eyes squinting, face flushed,
hair in her face, eyeliner smudged even more, like slept-in makeup.
Pops in more eye drops that she digs out of her pocket, moves eyes
beneath lids, mops up fake tears, bares her teeth at her reflection.
She’s in another room, walking against the wall. Everyone is dancing,
grinding against each other, tightly packed into the small room.
She recognizes the thumping Dr. Dre beat and slides down against the
wall and crouches next to a skinny, sucked-in looking man wearing a
dirty sports coat and missing chunks of grey hair.
“You came to look for him,” he says and nods his head.
“Did not.”
“Bullshit. I seen how you used to run around after him.” Shadow
looks at her with his clear, blue eyes. “Left you high and dry, did he?
That why you got that crazy look in your eye?”
“He was nice about it,” she admits.
“So, have you see him yet?”
“No.”
“You scared to?” he asks softly and she’s surprised she can hear him
over the music. Her head is still swimming. She looks past the bumpand-
grinding dancers and into her memory. She smells Joaquín’s
cologne and feels the buttons of his jacket like he’s standing in front of
her. She feels the corner of her lip twitch.
“Well, I’m all kinds of intoxicated, Shadow, but I’m not scared anymore.”
“Good girl. Now get outta this noise, your eyes look like they’re
about to pop out of your head. The next room is quiet; if you don’t
mind some dull conversation.”
She smiles and taps the leg of a guy standing nearby. When he
turns around, she holds out her hands up to him. He reaches down
and pulls her up to her feet. She thanks him, pulls out the dollars she
had stuffed in her pocket and hands them to Shadow. He nods his
thanks and she walks up two stairs into a room she has never seen
before and climbs up, floating into an engulfing blue. The walls, ceiling
and floor, are painted a brilliant royal blue. In the corner there is
a group of people laying on their backs and lounging on orange velvet
chairs craning their toward a small record player with noises splashing
out like sounds of a forest in outer space and the voice of a short girl
singing into a long corridor with no doors. Above Neli there is only
sky, the floor sloping slowly downward into the drain in the middle of
the room. She walks over to the corner and sits next to a vase of wild-
flowers on the floor. She’s far enough of away from the group that she
doesn’t have to talk to anyone but she can still hear their conversation.
They are saying that the song really gets at the desperate, ancient struggle
of man versus nature. She gets bored but doesn’t mind it because
the flowers she’s sitting next to are so pretty. She picks the vase up and
puts it in her lap.
She sees his plaid button-down shirt in the doorway first, the one
with the thin red stripes and big grey squares and darker grey squares.
He looks at her and their eyes bounce off of each other like ripples of
water. And she remembers the last time she saw him.
“I do understand.” And I did.
“I didn’t really know how I felt until I got so close to her. I didn’t know.
Even after I told you I didn’t want a girlfriend. I wasn’t lying to you,
Neli.”
“You really don’t need to explain it,” I respond in a monotone.
We spend two hours sitting on my bed, twelve inches away from each
other. I understand that the Heart can’t always be understood. I understand
that I wasn’t good enough to be his girlfriend and she is. He’s sorry
and I understand that too.
I walk him downstairs after we’ve said all that we could think to say.
I hug him goodbye and he holds on too long. I look up at the tree behind
him, a riot of green leaves, and white blossoms ready to fall. He finally
lets go and a strand of my hair reaches out to touch him. I tuck it behind
my ear. My eyes are screaming in big gospel voices. Howling heroin blues
in tear-thick ranchera melodies. He says he’ll call me later. He didn’t and
didn’t and didn’t.
He walks towards her as the last few weeks settle down on her
shoulders. She feels weak and finally lets her mind just lay back and
float on water.
“Joaquín,” she mouths his name and smiles in spite of herself. He
sits down next to her.
“Hey.”
“Hey,” he responds quietly. “I’ve never been up here before.”
“Me either. I think only the enlightened ones hang out here.”
He laughs out loud and gets some dirty looks from the group in the
corner.
They talk.
“How can you be vegan? Carne asada!”
“It was part of Mayan resurrection philosophy. The ability to conquer
death.”
“I’ve been writing again. A story.”
“They have the best food. They Tweet their location, like a futuristic
taco truck. They move around town.”
And somewhere in the middle of it he says, “Sofia and I called it
quits a little ago.” It doesn’t stop the conversation. They talk about the
woman who was just elected president of Brazil, about the new mural
the Fresno Brown Berets are gonna put up. They talk about the Black
Keys’s new album. Neli and Joaquín lean into each other when they
laugh. Their legs feel comfortable stretched out next to each other.
“What are you doing tomorrow?” Joaquín asks.
“Just class in the morning.”
“Wanna hang out after?”
Out of the corner of her eye she sees the short stubble on his chin
and cheeks. The curve of his nose. The hair on his knuckles. The window
on the east side of the room begins to fill with soft light, splashes
gold against the blue walls and Joaquín and Neli’s legs. The group in
the corner is lying against each other, breathing as deeply and quietly
as the record player She puts her face in the flowers in her lap, feeling
the petals and leaves against her cheeks and says, so only he can hear,
“Sure.”
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